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Twenty-six magical images gleaned from almost two hundred wood engravings made by George A.
P. K. Page needs no introduction. This is a poet who writes in many genres and on an infinite number of subjects.
Towards the end of a long and passionate life, P K Page shares in a most engaging form the highlights of a life lived to the full.
It has become customary in Canada to describe P. K. Page as ‘‘distinguished’’, but that epithet betrays her. P. K. Page is simply too vivacious, too cunning, too elusive, to be monumentalized. She is in fact the supreme escape artist of our literature. Try to confine her in a villanelle and she scampers off into free verse. Peg her as a prose poet and she springs forth with a glosa. Categorize her as a poet who writes fiction but then note that you find very little ‘poet’s prose’ in her stories. Her characters are often incised with acid and a cruelly keen burin. She is the shrewdest of observers but at the same time she celebrates life, low and high, in all its manifestations. One of the finest and most distinctive Canadian poets, P. K. Page is no provincial. She is a citizen not merely of the world, but of the earth.
Starting in Calgary in the twenties, the young P K Page discovered first horses and then the pre-Raphaelites in cheap reproductions. In the thirties it was London, then back to the Maritimes and war and the distance of accented radio broadcasts from overseas. In the forties, in Montreal, there was snow as high as a house, cocoa at Murray’s on Sherbrooke Street and poems by Frank Scott and Abe Klein read aloud in rented rooms.
In the fifties, marriage to Arthur Irwin and thence to Australia by steamer via Aden, Port Said and Ceylon. Kangaroos and platypus and tea with the wives of diplomats. Perth to Melbourne by train. Alice Springs, Kalgoorli and Ayers Rock. Briefly, New Guinea. Then Brazil, a pet marmoset christened B Fledermouse and drinks with Margot Fonteyn on the beach at Copacobana. From the sublime, to the ridiculous -- an honour guard of mariachis poised to greet John Diefenbaker in the shadow of Popocatepetl. The posting to Mexico was the last.
Her memoir ranges from the trivial -- the condition of pipes and wiring in embassy homes -- to the profound, her persistent search for spiritual certainty. P K Page met many of the dominant figures of the twentieth century, including Nehru, DeGaulle, Mountbatten, Tito and the Kennedys. But above all, she celebrates the senses, the beauty of it all.
Towards the end of a long and passionate life, Page shares in a most engaging form the highlights of a life lived to the full.
Lewis Carroll’s beloved children’s classic comes to life with over one hundred whimsical, eccentric and darkly humorous wood engravings, all create
Little Comrades tells the story of a girl growing up in a dysfunctional left-wing family in the Canadian West during the Depression, then moving, a
This energetic first collection moves freely from the world of professional snooker to drunken adolescent escapades. Slater contemplates the art of moving furniture, the marginalia of monastic scribes and daydreams in a Japanese garden. Depicting care or abandon, the poems reflect on that unique carefree care for language that is poetry itself.
‘What you’re after comes before and haunts your wanting it ...’
Inward of Poetry presents fifty years of thoughtful and, by turns, chatty letters between poet George Johnston and his good friend and frequent edi